{"id":329,"date":"2017-10-11T12:08:34","date_gmt":"2017-10-11T18:08:34","guid":{"rendered":"http:\/\/dh.danewhitaker.com\/?p=30"},"modified":"2017-10-11T12:08:34","modified_gmt":"2017-10-11T18:08:34","slug":"abnormality-the-only-normal","status":"publish","type":"post","link":"https:\/\/briancroxall.net\/f17dh\/student-posts\/abnormality-the-only-normal\/","title":{"rendered":"Abnormality: the Only Normal"},"content":{"rendered":"<p>It\u2019s almost like Carol Ann Duffy doesn\u2019t want us to read her poems. From the beginning, they&#8217;re obscure and discomforting.<\/p>\n<p>Open the book, provocatively titled <i>Standing Female Nude<\/i>, and you first encounter Pakistan. You may not know that, of course. I didn&#8217;t at first. The first two poems allude often to Islam, which doesn\u2019t narrow down the geography much. The clearest references to Pakistan are two villages and a city\u2014Dina, Jhang Chak, Jhelum. I looked them up and found a triad of communities in the northeast of the country, near a volatile and complicated border zone shared with India.<\/p>\n<p>Then suddenly Pakistan and Islam fade into nonexistence, reappearing only in veiled allusions like in \u201cA Healthy Meal,\u201d which wonders about the \u201csecret dreams of cows\u201d and asserts, \u201cThe woman chewing suckling pig \/ must sleep with her husband later.\u201d I\u2019m reminded of the laws against pork in both Jewish and Islamic culture and the ritual impurity of both eating pig and sexual activity. The Semitic allusions reappear in other poems. They are part of the fabric of English life, yet often unwelcome at the haughty feast of Western society.<\/p>\n<p>I see this theme unfolding as attention to folks on the fringe of mainstream Western European society. Besides the Jews and Muslims, there are criminals (\u201cLizzie, Six\u201d), drug addicts (\u201cSomeone Else\u2019s Daughter\u201d), sociopaths (\u201cEducation for Leisure\u201d) and murderers (\u201cHuman Interest\u201d), foreigners (\u201cFree Will\u201d and \u201cAlliance\u201d). They are voices of the dispossessed, the vagabonds, the outcasts. What about the rest of the collection? Most of it seems to describe a typical modern British life, familiar to most of her audience. But I think she shows us we\u2019re just as much outcasts, no matter who we are. Norms are illusions, impossible measuring sticks. The romantic and family relationships in Duffy\u2019s poems reveal our clumsy attempts to bridge the isolation we all feel. Being human is being abnormal.<\/p>\n<p>Sources:<\/p>\n<p>Duffy, Carol Ann.\u00a0<em>Standing Female Nude.<\/em> Anvil Press Poetry, 1985.<\/p>\n<p><a href=\"https:\/\/www.pexels.com\/photo\/portrait-old-person-sad-18494\/\"><img class=\"alignnone size-large wp-image-31\" src=\"http:\/\/dh.danewhitaker.com\/wp-content\/uploads\/2017\/10\/pexels-photo-2-1024x683.jpg\" alt=\"\" width=\"640\" height=\"427\" srcset=\"http:\/\/dh.danewhitaker.com\/wp-content\/uploads\/2017\/10\/pexels-photo-2-1024x683.jpg 1024w, http:\/\/dh.danewhitaker.com\/wp-content\/uploads\/2017\/10\/pexels-photo-2-300x200.jpg 300w, http:\/\/dh.danewhitaker.com\/wp-content\/uploads\/2017\/10\/pexels-photo-2-768x512.jpg 768w, http:\/\/dh.danewhitaker.com\/wp-content\/uploads\/2017\/10\/pexels-photo-2-405x270.jpg 405w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Image: Omar Alnahi on Pexels.com.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&rsquo;s almost like Carol Ann Duffy doesn&rsquo;t want us to read her poems. From the beginning, they&rsquo;re obscure and discomforting. Open the book, provocatively titled Standing Female Nude, and you first encounter Pakistan. You may not know that, of course. I didn&rsquo;t at first. The first two poems allude often to Islam, which doesn&rsquo;t narrow &hellip;<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false,"_links_to":"","_links_to_target":""},"categories":[5],"tags":[],"class_list":["post-329","post","type-post","status-publish","format-standard","hentry","category-student-posts"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9aQyB-5j","jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/posts\/329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":7,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/posts\/329\/revisions"}],"predecessor-version":[{"id":1255,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/posts\/329\/revisions\/1255"}],"wp:attachment":[{"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/media?parent=329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/categories?post=329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/briancroxall.net\/f17dh\/wp-json\/wp\/v2\/tags?post=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}